By Sara Bellini:
The way we experience space is connected with the way we perceive light. A thick fog, complete darkness, disco lights give a different depth to a place, which in turn influences the way we exist in it and our internal space. Our perception of space and light is what James Turrell has been exploring in his art for the past five decades.
This summer Berlin has the privilege to host two of his site-specific installations, among the many dispersed all over the globe (Roden Crater deserves a read). The first opened at the Jewish Museum in April 2018 and will be open until 30 September this year. “Aural” is part of the Ganzfeld series and consists of a room infused with homogeneous, coloured light. The eye needs time to adjust and the lack of walls or any other object can be disorientating. James Turrell wants to leave you alone with your looking and your awareness of yourself taking in the light. In a space without landmarks, perception is all.
The second installation is located inside a burial chapel in the Dorotheenstädtischer cemetery, in itself a place of significance in Berlin. Located next to Bertolt Brecht’s house, this graveyard is the burial place of the poet and playwright and of other famous Germans, such as Christa Wolf, Helene Weigel, Hegel and Fichte. It is hidden from the main entrance on the Chausseestraße behind the older Huguenot cemetery, and the bricks of the Humboldt University’s north campus are visible beyond the back wall. The church itself was built at the beginning of the 20th century and was renovated several times before the 2015 reopening. The studio of the architect Nedelykov Moreira has worked with James Turrell to come up with a modern minimal design that wouldn’t distract from the light show.
With ten light programmes that change according to the liturgical calendar and fifteen light moods, James Turrell’s installation works closely with the shades of the sunset. For this reason, and because of the late summer sunsets, the light show has different entry times during the year and is closed in July and August. You find yourself sitting in a place that looks like an anonymous church, gazing at the complementary colours of the lights positioned in the aps, transept, nave, narthex and walls, convincing yourself that the glass of the windows themselves must be stained this or that colour, only to change your mind a light mood later. Then you go out in the fading daylight, you look at the sky and for a moment you have the illusion that the neon have permeated your retina. Subjective perception is all.
Both shows have limited access so check tickets availability and opening times:
James Turrell at the Jewish Museum
James Turrell at the Dorotheenstädtischer Friedhof