This City Street

By Hannah-Louise Dunne:

For Conn.

There is a place in the middle of the city, where seagulls greet the morning light with throaty squaks. Here, the burgeoning bright of the day will blink your eyes open, unwilling, though they might be. Below the seagulls, the city is a zigzag of bricks. A red hue where the wide Georgian streets lie. Or the cold grey of the fresh rain-washed roads and car parks that guide commuters around the corporate zones. In other places, glass flashes up and into the morning light. A brash presence, wrapping the ever-rising office blocks in bold illumination.

This is where we live, baby, before you arrive. Where we first imagined you into existence in the curved oblong surrounds of our small city-centre flat. Home now to our whole world, where each day we marvel at how much you’ve grown. 

At one time, the city centre all around us was home to lots of people. Teeming groups of humanity, packed into the small square footage of the heart of the city. There were families of ten or more packed with no consideration for their health or safety into small one-roomed tenements down near the Four Courts. While up around the city’s grand squares, the newly wealthy and established aristocracy vied for prominence in the surrounds of the beautiful red brick of their tall proud townhouses.

Nowadays, the city streets are quieter. There are more offices and hotels here than people. More space for cars, conferences, tourists. Money, and more money, as the city reopens after the strange events of the last year and a half, and the streets slowly fill up with lines of traffic again and car horns beep into the midday stretch.

But if you look beyond the main streets, you can still catch glimpses of ordinary life. Of generations of families living together in the dark red brick of the flats close to Holles Street. Or families still dotted in the surrounds of the grand old houses of the city all along the tree-lined roads to Donnybrook. There are students and workers too, carefully sequestered from view in the shelter of mews houses, in unexpected apartments and studios situated above office buildings, down side-streets, and in the back of office buildings where you’ll find our small city-centre home.

It’s a funny looking place. I think most people who pass by are surprised to see a house there in the midst of the zig zag of car parks and cranes. But don’t let that shock you. There are many surprises to be found around here. Just down the road lies one of Dublin’s private parks. A sanctuary for the fortunate then and now, which we eyed with envy during the lengthy lockdown, where the lucky few could unlock the gate and luxuriate in all of that green space, as they snapped open cans of designer craft beer.  

Around that square, there are tall houses that once served as homes to some of our greatest artists. We have a print of one on the wall of our sitting room. He was the younger brother of W.B. Yeats. But truthfully, I like his work best of all the Yeats family. The bold colours of his paintings sing to me as I walk past their vast canvases on the calming walls of the nearby National Gallery. Just down the road from Jack B. Yeats along the side of Fitzwilliam Square, Mainie Jellett lived. She was one of Ireland’s first abstract painters. She saw the world and made sense of it in shapes of peculiar beauty. 

It’s not all grand houses here though. Outside our building, a charming man comes to sit each day to collect spare change from passing drivers. He mans the parking meter come rain, hail or sunshine and knows everything there is to know about what goes on around here from his perch at the bottom of the steps. When we go for our daily walks around Merrion Square, to admire the louche grandeur of Oscar Wilde’s statue once more, he regales us with tales of the street and keeps a close eye on your growth, telling me every now and then; ‘You’re getting bigger every time I see you.’ 

This is our part of Dublin, where we have watched the streets change each season.  The place where you emerged into existence.  It’s waiting here to welcome you home.

***

Hannah-Louise is a former journalist, turned advertising executive and writer, who is interested in the way our past and present intersect to form and shape us. She has written about family, places she loves, and formerly, celebrity culture, for national press publications, and is currently working on her first long-form fictional work (and growing her first child). You can follow her on Medium, or catch her avoiding books on the reality of childbirth as she searches for calm waters to swim in around Ireland.

These streets are life: Withington

Photo: Gursh Nijjar

By Andrew Edgeworth:

Borders are many things; physical, lines on a map, constitutional, binding. But most are psychological. There is a contrast where borders are concerned and while they may not all be manned by armed guards and Government backed, society ensures they remain in place.

In a springtime induced fugue I set out to clear my head, a walk through a neighbourhood I’d come to know over the past twelve months or so. Leaving Ballbrook Avenue I headed on to Palatine Road; the birthplace and home of that great Manchester institution, Factory Records. A blue plaque of commemoration is hidden from all but the most observant. You can still see the spectre of the irascible Tony Wilson on the squalid balcony, gazing down at you, fag in hand. 

In the grounds of one of the horrendously named apartment blocks, (Mottram Manor, Barry Court) the corpse of a cat lies in the undergrowth. The locus delicti unknown, but it had undoubtedly come to rest here in its final moments. In fairness there are worse places to call it a day than under a juniper bush. Had it been run over or poisoned? Who knows? It was not a time to tarry. 

It is here that the Christie hospital seeps into Didsbury gradually, like expanding foam. Every new piece of it is shinier and grander than the last. Progress is signposted by disinfected metals and floor to ceiling strip lights. At one of the many entrances are groups of smokers waiting for death on the pavement, their chemotherapy drips in tow.

The Christie is a non-smoking site

I struggle for a collective noun, the scene neither suburban nor hospice, presents a moral dilemma which forces me onwards. 

Adjacent to me, residents of an anonymous halfway house patrol the pavement in various states of unease. Cigarettes and alcohol hold sway.

Just beyond them the inmates of a nursing home stare on blankly from secure balconies. A vast complex with hourly blue light visits. 

St Cuthbert’s Church stands on the corner of Marriott Street and its foodbank is now just as much a source of salvation. Money is tight and time tighter.

CONFESSIONS: Saturdays: 11am-12pm

The penitent queue stretches back down Palatine Road every Monday lunchtime, and seems to get bigger by the week. In years gone by it would have made the front page of a national newspaper. Now we all put our heads down and shuffle past it on the opposite side of the road. 

Cross over the road my friend, ask anybody but the Government for a lend. 

But the faex populi are not welcome in Didsbury. The needy are an unwanted nuisance in the Tory version of Chorlton. They want their upcycled tables made from unwanted pallets. Just as long as there is still sufficient parking for Range Rovers outside of hipster brunch establishments. Withington is now a little too close for comfort. 

The crossroad with Wilmslow Road and Burton Road mark the unofficial, official start of Withington. An open air theme park for all walks of life, tightly crammed into a place that is different things to different people. Mamucium begins here!

The former White Lion pub is now a Sainsbury’s Local where kind students often sit on the ground outside with the local indigents sharing fags and sandwiches. Long-term cash machine tenants asking about that bizarre concept – spare change. Contactless payment now limits reward. 

The old Scala theatre has been demolished and replaced at the behest of Britannia Group and is now a vulgar set of flats complete with an out-of-place Costa coffee shop on the ground floor. 

Like all apartments they are mandatory luxury – you are no longer allowed, nice or mediocre apartments. No definition exists however. Opposite is yet another set of luxury apartments, balconies affording uneasy viewing for overpaying residents. A strategic reinventing of the local is underway. Old shopfronts have been replaced by bike rack balconies. In Didsbury blocks of apartments (never flats) are given names that couldn’t be further from reality; Alpine Court, Didsbury Gate, Larke Rise. Not so in Withington – they are only allowed a number.

On the main drag a commotion ensues at the bus stop by the now derelict municipal building. A hugely obese man is destroying his walking stick by repeatedly smashing it against the bus stop pole whilst shouting “BASTARD BUS DRIVER” at the top of his voice. The local pedestrians and motorists, despite being at very real risk of injury from flying pieces of cheap timber that are now flying around at all angles, remain oblivious to his protest. The 43 bus adds insult to injury by stopping at the pedestrian crossing a few yards further on. With no stick left he furiously shakes the handles of his wheeled walking frame. The obscenities continue.

Withington high street (Wilmslow Road) is much the same as many others that have suffered in recent years. There is not the spendthrift clientele of the South Manchester ‘villages’ to make it fashionable. The retail sector look is eclectic-poverty, trapped between eras and demography. An Eastern bloc supermarket peddles super strength lager, while charity shops appeal to the classier end of the market. Other businesses have been there since time immemorial and cling on like barnacles to a sea wreck. A laundrette that still runs on 50p pieces, the locksmiths with less life than a deadbolt.

The former bank is like all others in similar locations – derelict. Above the shop fronts, boarded up windows are strewn in graffiti, while at ground level slum dog estate agents prey on low income renters and those in full-time higher education.

Side alleys are not to be ventured down without purpose, the realm of backstreet MOT garages and taxi companies, a permanent haze of oil and cigarette smoke. It’s back-street traditional. Big men in dirty overalls. Big doors and big dogs.

And no ‘High Street’ is complete without boozers. The Victoria is your classic pub where anybody may be unwillingly plucked from the street at any given time to take part in karaoke. Leopard print and lipstick. Flat caps and vapes. Pints of cheap lager and even cheaper bitter. An eternal happy hour where nobody smiles. 

Albert Wilson’s is a more eccentric place altogether. A Sillitoesque corner bar with ceilings seemingly lowered by the weight of time and an uninviting doorway. Mysterious but not to the point of curiosity. 

Students and young professionals choose instead to seek out the safety of familiarity. A vegan café and a hipster bar with monosyllabic names where there appears to be a requirement to dress as if you’ve fallen through the sale rack in TK Maxx to be accepted (my generation of student was nowhere near as adventurous. We were just boring).

The street is now dividing slowly. To the East runs Egerton Crescent with its record store cum coffee-shop and post office. To the West is Copson Street. Another border is slowly materialising. 

The initial impression of Copson Street is one of pound shops in stiff competition, their wares taking over the pavement, an industrial scale operation for entire families each morning. The constant battle of tat outdoing tat. An entire oceans worth of non-recyclable plastic.  Plant pots, shopping trolleys and reusable food containers in a battle for passing trade attention.

More commotion. A man stood by the open door of a scaffolding flatbed truck energetically screams into a phone while inexplicably pointing to the directions he has taken to what is clearly the wrong address. 

I went right down there and then left back there…

I move on in exasperation, passed the mandatory mobile phone repair shop and bookmaker, complete with its FOBTs (fixed odds betting terminals) promising to ruin yet another life. 

The hub of the street in question however is undoubtedly the location of greasy spoon which sees the denizens of Withington flock daily for a bonne bouche. Come rain or shine the locals huddle at bolero style tables on the pavement, most of whom appear to the victims of widespread hypodontia. A sea of shipwrecked mouths pleading for a willing ear. 

At the various grocery shops care workers of African descent fill shopping trolleys and suitcases on wheels with groceries. Students count change in their hands with a lamentable decision to make over one avocado or a packet of rice. 

Behind the retail sector, Victorian terraces run parallel to the main thoroughfare, gated alleyways act as a honeypot for fly-tippers. Six to a house or split into quick-fix flats, MDF warrens that give fire safety officers sleepless nights.

Nearby, on Mauldeth Road West, a ghost-bike is chained to a lamppost in tribute to Harry Sievey. A local musician and son of Frank Sidebottom creator, Chris Sievey, who perished when his bicycle collided with a car in 2017. 

But these streets are life. Withington is real life, not the show home façade of its snooty neighbour which looks down its nose at it from behind electric gates.

Withington is slowly evolving. High house prices have meant that the people who once fled it are now buying up property. No matter how ugly the new facades of apartment buildings are, investment is there. Once thriving, it hopes to thrive again while Didsbury watches on uneasily.

***

Andrew Edgeworth is a former journalist who has been writing fiction since 2013. He was awarded the 2017 Origins flash fiction prize was runner up in the 2019 Splash Fiction competition. His work has also been published by Fairlight Books. He lives in Manchester with his dog, Orwell.

In Olšany Cemetery

By Anna Evans:

On a weekend trip to Prague they decide to walk in the cemetery near where they are staying in Prague 3. They agree to set out early, visit the cemetery, and then to continue with their day. It is October, an early morning chill in the air, but already the sunlight is beginning to glance down with a nod, promising warmth, an unexpected dawning of late summer spells.

She reads aloud from her book, ‘See, the first line mentions the cemetery…  listen, it says…’ She hasn’t made it very far with the book yet, but is glad to be reading a Czech author. There is something about this place, she thinks. I would like to get to know this city and its complex history; this city of writers and of walking.

Leaving their apartment building, they can see the wall of the cemetery in front of them and trees behind. Crossing the road they find an entrance at the end of the street.

It is one of those rare times when both agree that this is the only place they really want to be, that given the chance they wouldn’t be anywhere else. They listen carefully to the other’s remarks and laugh together as two people who know and understand each other. They agree that it’s good to be away from home, that the best feeling of all is the day stretching out in front of them, the city to explore. The feeling of waking early in a new place, that sense of accomplishment. The promise of black coffee and the warming smell of baking bread. There is a route planned on a map, the streets of Prague, its art nouveau buildings a perfect tapestry through which to wander, to the sound of passing trams.

The trees are filters for the sunlight, and leaves are beginning to cover everything. Wandering along the paths, the gravestones draped in ivy but without the sense of neglect and desperate wildness some cemeteries have.

Those strange eruptions from the ground growing amongst the trees, marble and stone of different shapes and sizes with pathways running between. They are like city streets, laid out in blocks with signs, and all the leaves swept away. Sometimes the graves look like grand city houses. ‘How funny that money and status should continue to follow us into death,’ he says, and they pause, thinking of the years sliding past them.

Walking and reading the stones, thinking about what draws people to cemeteries, trying to describe the sense of peace and watchfulness it brings. There are those tending the graves of family, holding in their hands the span of remembrance; like the flowers they lay down, for as long as their transient bodies remain. The green force flowing through the stems cut off already from their source of life.

Looking at the names on the gravestones, reading the history of families, through the years engraved in stone. Of lost children, and married couples who died within months of one another.

Cemeteries are really places for the living.

Connected to our beginnings and ends, people wander through cemeteries to be close to those who are no longer here. Each city, each place, contains the imprints of all those who have walked its streets and all those yet to come, the ghosts of history who are with us even now. In some places we are more aware of them than others.

Confronting their mortality, but feeling life urging its way through their bodies, they walk around, knowing they will leave and continue the day, saying farewell to those in ivy-covered slumber.

Reaching the main entrance, the sun warmer and brighter, rising higher in the morning sky.  The sound of traffic from the road nearby and people walking past. Soon they will join the movement of the city streets and the day will glide by in all its colours.

For a moment though, they pause and look back. They both know how quickly and how easily the shadow beckons and can fall between them. Like feeling cold on a sunny day, like voices interrupting from the past, ghosts of time and distance.

About the author:
Anna Evans is a writer and researcher from Huddersfield in the north of England, currently living in Cambridge. Her interests are in migration and literature, cities and movement, and she completed an MA in ‘Writing the Modern World’ at the University of East Anglia in 2017. She is currently working on a project on the places in Jean Rhys’s fiction.