Two poems
/Photo by Raymond Kotewicz on Unsplash
By Valentina Fulginiti
And that is if we are lucky
A shopping cart will do, loose wheels
on rusty hinges, an IKEA tarp tossed
over dubious Lares. Home is a memory
of something that once called shelter.
The lucky ones are squatting their own
property, collection notices taped all over
the front door, a vile stench pouring out
of a puckered backyard. Nevertheless, he is.
And he is drunk with the happiness of someone
who never expected to make it this far in life:
it’s our future he drives, in a slow and meandering
kind of way, this decrepit hoarder unburdening himself.
Crotch and pits no longer have a scent if wells
stopped pumping water years ago, and a rag
is only a rag if you can make new fabric
out of somewhere. And our future is spindly,
with a greyed-out smile and idle hands and
helplessness all cobbled together, and a whiff
of rotten moisture up our nostrils, and
seasoned mold calcified in endless lichens:
for this future belongs to nobody and chief
amongst them the nobodies who saw it
coming, between the torn fabrics of their
daydreams, as they all marched, arm in arm,
into the bar of our shared unhappiness.
Nine more houses collapse in Buxton, NC
What we didn’t know
at the time: the ocean
had already begun
to evaporate, filtered
in a suspended cloud,
inverted like the quiet
brewing of a storm.
A skittering crab
imparts a lesson
in male fragility.
Not yet hardened,
his shell jiggly with laughter,
he scavenges a room
in someone else’s
discards.
Behind our backs,
forever homes
anchor their stilts
to a palimpsest
of fishbones.
Death has never been
more palatable.
The future belongs
to those who don’t
have bones.
Valentina Fulginiti is a bilingual writer, publishing both in Italian and English. Valentina has published one novel, Nessuna di queste vite mi appartiene (ExCogita, Milan, 2025) and poetry in journals such as The Sacramento Literary Review, Ovunque Siamo, Sky Island Journal, and others. Additionally, Valentina is a reader of poetry for Wildscape Literary Journal. Bilingualism and biculturalism are at the forefront of her expressive journey.
