Three poems

By Eli Rodriguez Fielder

Anachronism

the last map drawn by hand

was sent to me by the last artist to use paper

and I found the last pencil

to make the last annotation

and mailed it to the last activist

to xerox pamphlets to hand out

at the last protest organized by

the last collective to brew bad coffee

at the last meeting where

the person with the last moral

cried their final outrage

about the death of the last child

of a nation

the last child

to ever say the word

future

Last Responders

they place moss on the other side of trees

guide disoriented birds to weather-appropriate environments

counsel snails whose spirals have gone clockwise

make new horizons from the photographs of the old ones

wade through the rivers to chase salmon upstream

dive into the sea to lead lobster lines to shore

they wear diver suits with malfunctioning equipment

bodies unorienting

they flex lung muscles that searched for pearls

muscles that could read stars and wave swells

cloud-readers

time-smellers

they moan at whales

dance for the bees

run alongside rats

whisper in the fox

ear distance to prey

talk seeds into germination

from the last of Beal’s jars

pulled up from Michigan sand

go no go go no go

sing the song of seed whisperers

this is our work now:

grip the ping-pong paddle

to whack radiation back into space

run back the reversal of the earth’s magnetic poles

direct the apocalypse from the producer’s chair

swallow guilt from the horn of a megaphone

Without Virgil

it’s just a forest

a trail overcrowded with white dogs

ears tipped red

they do not guide but stare

slake the empty bottle to remember the taste of water

a wake-up cough

the sliding of saliva down a dry throat

jolt the mind from its drift

just a thicket without a machete

psalms without palms to hold them

                                      a bible without a savior

                                      a sin without pleasure

                                      a wetless kiss

                                      a heartless string yanking inside me

                                      a toneless chord on a makeshift instrument

                                      a counterfeit Parch unplayed

                                     a sale unsigned

                                     a paint chip analyzed in a lab

                                     a number returned at a loss

                                     the wind doesn’t fall except down my mouth

                                     a pipe that’s not a throat

just smoke and

a mirror without reflection

a vampire sucking its own arm

until the body runs dry

skin becomes the crust of the earth

                                      a plate without food

                                      dinner without a party

                                      an angel exterminating

                                      what’s left that’s civil

Eli Rodriguez Fielder is a writer and artist from Queens, New York, based in Iowa City, IA. She is the author of The Revolution Will Be Improvised (University of Michigan Press, 2024) and her current manuscript contemplates interiority as it intersects in anatomy and art. Her non-fiction writing has appeared or is forthcoming in The Common, Vernacular, Flere, and Brink.